This study delves into the symbolic significance of Malay culture-themed paintings within modern Malaysian art. Employing a qualitative descriptive approach and Panofsky's Iconography Theory, it specifically focuses on pre-iconography, iconography, and iconology. Analyzing three distinct artworks - 'Ketam Rumah Datuk' by Zaim Durulaman, 'Friday Morning' by Kow Leong Kiang, and 'Cabinet Series X' by Ahmad Shukri Mohamad - the research uncovers rich layers of meaning. In 'Ketam Rumah Datuk,' symbols such as the Malay house, crab, and boat embody core Malay cultural values, including protection, social hierarchy, and livelihood. 'Friday Morning' intricately portrays familial bonds, creative expression, religious modesty, and entrepreneurial spirit through the portrayal of two Malay girls. Meanwhile, 'Cabinet Series X' intricately weaves symbols like deer antlers, wooden and pottery containers, and clocks, representing concepts such as protection, aesthetic beauty, and punctuality. Through meticulous analysis, this study sheds light on the profound depth of meaning embedded within these artworks, offering insights into the cultural fabric of Malaysia.
Abdullah, A .H. (2021). Analisis Intrinsik Simbol Budaya Melayu Dalam Karya Catan Moden Terpilih Jalaini Abu Hassan dan Fatimah Chik. Kuala Lumpur: International Journal of Creative Future and Heritage 9(1):52-68
DOI:10.47252/teniat.v9i1.398.www.teniat.com
Ahmad, H. B. (2014). Rawatan Alternatif bagi Demam Denggi. 08. www. inspektoratsik. blogspot.com
Ahmad, S. H. B. S. (2020). Elemen Budaya Dalam Karya Seni Catan Malaysia: Satu Tinjauan. Shah Alam: Universiti Teknologi Mara.
Ali, S. H. (2008). Orang Melayu: Masalah dan Masa Depan. Kuala Lumpur: Perpustakaan Negara Malaysia.
Deraman, A. A. (2000). Tamadun Melayu dan Pembinaan Tamadun Malaysia. Kuala Lumpur: Dewan Bahasa dan Pustaka.
Deraman, A. A. (2005). Asas Pemikiran Kebudayaan Malaysia. Kuala Lumpur: Dewan Bahasa dan Pustaka.
Din, A. (2008). Asas Kebudayaan Melayu. Bangi: Universiti Kebangsaan Malaysia.
Din, A. (2016). Asas Kebudayaan dan Kesenian Melayu. Bangi: Universiti Kebangsaan Malaysia.
Durulaman, Z. (2016). Beyond Iconography: Exhibition Catalogue. Shah Alam. TAPAK.
Durulaman, Z. (2023). ‘Ketam Rumah Datuk’. Temu bual. 10hb. November.
Feldman, E. B. (1967). Art as Image and Idea. Englandwood Cliffs. New Jersey: Prentice Hall.
Feldman, E. B. (1994). Practical Art Criticism. New Jersey: Prentice Hall.
Halimi, A. J. (2008). Sejarah dan Tamadun Bangsa Melayu. Kuala Lumpur: Dewan Bahasa dan Pustaka.
Hassan, A. R. (2008). Seni Lukis dan Idea. Shah Alam: Universiti Teknologi Mara.
Jamal, S. A. (1994). Form and Soul. Kuala Lumpur: Dewan Bahasa Pustaka.
Knobler, N. (1985). Dialog Seni Tampak. Trans. by Zakaria Ali. Kuala Lumpur: Dewan Bahasa dan Pustaka, Kementerian Pelajaran Malaysia. 1985.
Mahmood, M. (2001). Seni Lukis Moden Malaysia: Era Perintis hingga Era Pluralis (1930-1990). Edisi 1. Kuala Lumpur: Utusan Publication & Distribution Sdn Bhd.
Mohamad, A. S. (2001). Solo Exhibitions. Kuala Lumpur: Art Salon Sdn Bhd.
Mohamad, A. S. (2023). ‘Makna Simbolik Catan ‘Kabinet no X’. Interview. 15hb November.
Nasir, A. H. (1987). Traditional Malay Woodcarving. Trans. Othman Yatim. Kuala Lumpur: Dewan Bahasa dan Pustaka.
Noh, L. M. M. (2018). Makna Simbolik Budaya Melayu Dalam Seni Visual Moden Tempatan. Bangi: ATMA, Universiti Kebangsaan Malaysia.
Nordquist, R. (2018). An Introduction to Punctuation .www.thoughtco.com.Updated on April 26, 2018.
Ocvirk, O. G., Stinson, R., Wigg, P. R., Bone, R. O., and Cayton, D. L. (2008). Art Fundamentals: Theory and Practice, 12th Edition. New York: McGraw-Hill Humanities/Social Sciences/Languages.
Osterworld, T., and Taschen, B. (1991). Pop Art. Cosmopress Schwitter. German. Ter. Bahasa English oleh Iain Galdbraiht.
Panofsky, E. (1955). Meaning of Visual Arts. New York: University of Chicago Press.
Pipes, A. (2008). Foundation of Art and Design, 2nd edition. London: Laurance King Publishing Ltd.
Riadi, M. (2020). Budaya dan Kebudayaan (Pengertian, Wujud, Unsur dan Perubahan. www.kajianpustaka.com. 2020.
Salleh, M. M. M. (2015). Penggunaan Tanduk Rusa. Jspui bitstream 123456789/12804/1 www. oarep.usim.edu.my
Seng, C. K. (2017). Ahmad Shukri showcases 23 works. The Edge Financial Daily 2017. www. theedgegalerie.com
Tylor, E. B. (1871). Primitive Culture. OL6946625M/.https:/openlibrary.org/books/ www.branchcollective.org
Zain, I. (1983). Sirih Pinang, Kumpulan Esei Budaya. Kuala Lumpur. Dewan Bahasa dan Pustaka.
