This paper assesses the artistic work of Pan Yuliang in order to shed light on the nature and causation of her development as a female artist. The influences of both Chinese and Western art forms upon her draws one to question the extent to which the realization of her potential was predominantly a product of processes inherent within Qing Dynasty China, or of the penetration of Enlightenment ideas and mentalities into China. I go on to assess the extent to which Pan’s work served the processes of liberation for Chinese women, or, conversely, served as a cultural impediment to such processes. An examination of secondary literature and the products of museum curation are utilized to assist in the assessment and analysis of Pan’s work and the contribution it made to the process of the Intergradation of Eastern and Western artistic forms and depicted content.
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In-Text Citation: (Xiaoqin, & Arus, 2019)
To Cite this Article: Xiaoqin, Z., & Arus, H. B. B. H. M. (2019). Intergradation of Eastern and Western Art: An Analysis of Pan Yuliang’s Paintings and their Significance. International Journal of Academic Research in Business and Social Sciences, 9(12), 384–393.
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