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Themes and Trends of Art Collective in Malaysia Contemporary Art from 2000-2020

Open access

Hawari Berahim, Azmul Fadhli Kamaruzaman, Mohd Fidaus Naif Omran Zailuddin, Yuhanis Ibrahim, Haris Abadi Abdul Rahim, Nik Ashri Nik Harun, Mohd Hilmi Harun

Pages 368-379 Received: 03 Nov, 2023 Revised: 05 Dec, 2023 Published Online: 09 Jan, 2024

http://dx.doi.org/10.46886/IJARBSS/v14-i1/9406
This research delves into the evolution of art collectives in Malaysia spanning from 2000 to 2020, illuminating their profound influence on the nation's contemporary art scene. The significance of this investigation lies in its capacity to document more than two decades of artistic progress, mirroring the cultural, social, and technological shifts that have moulded Malaysia's modern art landscape. These art collectives act as vital channels for artistic expression, playing a pivotal role in enriching Malaysia's art and culture. Utilizing a qualitative research approach, this study primarily relies on secondary research methods, meticulously scrutinizing an array of published materials such as invitation cards, catalogues, articles, books, and newspaper clippings. Employing the thematic analysis method, these diverse data sources are curated and synthesized to construct a comprehensive chronology and timeline of art collectives during the specified period. This research methodology facilitates a detailed exploration of the emergence and activities of these collectives, ultimately unveiling their contributions to Malaysia's contemporary art realm. The major findings of this study identify key themes and trends that characterized Malaysia's art scene during the 2000-2020 period. In the 2000-2010 era, some art collectives emerged as pioneers, focusing on foundational identity, exploration of alternative spaces, local and cultural engagement, and collaborative networking. In the post-2010 era, art collectives expanded their horizons, embracing diversity, sustainability, environmental concerns, digital and virtual engagement, and conceptual exploration. These findings pave the way for further research avenues, including the examination of art collectives' societal impact, the intersection of technology and art in Malaysia, international collaboration among collectives, and the sustainability of these artistic networks over time. This research stands as an indispensable resource for scholars, artists, and cultural enthusiasts intrigued by the multifaceted evolution of art collectives in Malaysia.
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