In Malaysia, the most commonly used piano syllabi used by piano teachers have been the Associated Board of the Royal Schools of Music (ABRSM), Trinity College London (TRINITY), and London College of Music Examinations (LCM). A quick survey on the exam syllabi shows that even though there are pieces from the 20th century, almost none of the pieces use extended techniques, or techniques beyond the conventional sense. Coming from a classical piano background herself, the researcher would like to set an example for the younger generation in Malaysia by including piano works that use extended techniques in her recital through a practice-led research, having the recital itself as part of the research output. The main objective of this research is to build a concert repertoire for piano that includes different kinds of extended techniques, with a sub objective to showcase how notable composers like Henry Cowell, György Kurtág, and Frederic Rzewski incorporate extended techniques in their compositions written for the grand piano since the early 20th century.
Chang, P. K., & Yoong, C. Y. (2010). The development of classical music performance in
Malaysia with references to music education, My Jurnal, 10, 81–92.
Coelho, G. N. (2014). Kurtág’s Játékok: Playing games with tradition (Unpublished DMA lecture
document). University of Oregon, Eugene, Oregon, USA.
Coumans, A. (2003). Practice-led research in higher arts education. In T. Ophuysen & L. Ebert (Eds), On
the move: Sharing experience on the Bologna Process in the arts (pp. 62-67). Amsterdam: European League of Institutes of the Arts (ELIA). Retrieved December 21, 2018, from http://www.encatc.org/downloads/ELIA-BolognaProcess&Arts.pdf
Cowell, H. (1993). Henry Cowell’s comments. On Henry Cowell-piano music [CD]. USA:
Smithsonian/Folkways Recordings.
Hicks, M. (1993). Cowell’s clusters. The Musical Quarterly, 77(3), 428-58.
Hinkley, B. (2017). Transcending the keyboard: The development of non-traditional piano techniques.
Music: Student Scholarship & Creative Works. Retrieved from http://digitalcommons.augustana.edu/muscstudent/3
Ishii, R. (2005). The development of extended piano techniques in twentieth-century American music.
Florida State University, Florida, USA. Retrieved from http://purl.flvc.org/fsu/fd/FSU_migr_etd-3857
Nimkulrat, N. (2007). The role of documentation in practice-led research. Journal of Research Practice,
3(1), Article M6. Retrieved December 21, 2018, from http://jrp.icaap.org/index.php/jrp/article/view/58/83
Orduz, A. M. (2011). Integrating contemporary world music into our teaching:
Discussion on the pedagogical value and performance practice of seven
commissioned pieces by four Colombian composers (Doctoral thesis). University of Iowa, Iowa, USA. Retrieved from
http://ir.uiowa.edu/cgi/viewcontent.cgi?article=2435&context=etd
Proulx, J. F. (2009). A pedagogical guide to extended piano technique (Doctoral monograph). Retrieved ‘ from Temple University Libraries. (10460)
Salzman, E. (1988). Twentieth-century music: An introduction (3rd ed.). New Jersey: Prentice Hall.
Talento, R. Frederic Rzewski. In The Living Composers Project. Retrieved from
composers21.com/compdocs/rzewskif.htm.
Vaes, L. (2009). Extended piano techniques: In theory, history and performance
practice (Doctoral dissertation). Retrieved from
https://openaccess.leidenuniv.nl/handle/1887/15093
In-Text Citation: (Sin & Goh, 2018)
To Cite this Article: Sin, T. C., & Goh, Y.-L. (2018). Building a Piano Concert Repertoire that Incorporates Extended Techniques. International Journal of Academic Research in Business and Social Sciences, 8(12), 1817–1824.
Copyright: © 2018 The Author(s)
Published by Human Resource Management Academic Research Society (www.hrmars.com)
This article is published under the Creative Commons Attribution (CC BY 4.0) license. Anyone may reproduce, distribute, translate and create derivative works of this article (for both commercial and non-commercial purposes), subject to full attribution to the original publication and authors. The full terms of this license may be seen at: http://creativecommons.org/licences/by/4.0/legalcode