International Journal of Academic Research in Business and Social Sciences

search-icon

Thai Silk Pattern: Conservation and Manufacturing Development to Create Added Value in the Province of Khon Kaen

Open access
Silk patterns are works of art that resembles the valuable and unique ethnic culture that is most important to the community. The history and development of silk patterns in the province of Khon Kaen can be divided into 2 periods, before and after the year 1976. During these periods there were many changes in the manufacturing of silk textiles. The origin of classical silk patterns came from direct modeling of plants, animals and nature. Contemporary silk patterns are modeled after mediums such as television, multimedia, publications and from client requests. The manufacturing tools have also been greatly improved from wooden tools to tools made from metals and tools reinforce with steel. Electric motors have also been utilized in increasing the efficiency in the transformation of silk such as in process of dyeing and spooling silk threads. Traditional materials in silk textile production utilized traditional home grown and produced silk threads while in modern times, the silk comes from factories and purchased in spools. Locally produced silk threads are still produced but in lesser quantity because natural pigments and threads are limited in color. Modern silk threads produced from factories come in many colors and sizes to choose from. Traditional designs and patterns of silk textiles had to be memorized and were passed down orally while contemporary patterns can be massed produced through patterns embedded in graph paper and computer graphic designs. The patterns of silk textiles have greatly improved after 1976 where many efforts were implemented to develop added value and broader market for silk textile products. The conservation and development of silk textile patterns to create added value in Khon Kaen can be achieved through innovation but must adhere and be modeled after traditional background. The developed textiles must conform to tradition but also meet the demands of clients. Consideration must also be emphasized in product diversity so that there is distinction and uniqueness from other producers.

Barsky J., & Labagh R. (1992). A strategy for customer satisfaction. The Cornell Hotel and Restaurant
Administration Quarterly 35 (3): 32-40.
Boonnak Naree, (1997). Ikat Fabric Design by Auto CAD Program. Kasetsart University, Department of Home Economics.
Bourapha Tassanee, (2013).Consumption Behavior of Thai and Vietnamese Tourists on Souvenir Products along the East-West Corridor. Maha Sarakham University, Faculty of Cultural Sciences Maha Sarakham University.
Chantachon Songkoon, (2010). Isan Textiles: Developing Textiles for Teenagers. Jounal of Isan, Cultural Diversity 7(17) : 395 - 408. ISBN 0125 - 8095.
Chirotchaphan Wimon, et al. (2008). Moradok Thang Watthanatham.ISBN: 9747316951, 9789747316957.
Chœikiwong et al., Udom (2011). Ecotourism. Krung Thep : Samnakphim Sængdao. ISBN: 6165082793, 9786165082792.
Chunkao Kasem, (1993). Effects of Ecodevelopment on Hydrological Characteristics of Sakaerat Environment Research Station, Amphur Pakthongchai, Nakornrachasima Province. Kasetsart University, Department of Conservation.
Desai, Preyas, (2000), “Multiple Messagesto Retain Retailers: SignalingNew ProductDemand,”
Marketing Science, 19 (4), 381-389.
Hawanon Naphaphon, Phitsamai Rattanarotsakun, (2006). On Managing and Learning Local Knowledge and Modern Education for the Development of Social and Economic Conditions in Local Communities Throughout Thailand. Mahawitthayalai Sinakharinwirot Sun Nawattakam Kanrianru Talot Chiwit, ISBN: 974984999X, 9789749849996.
Holland C., A.E. Terry, D. Porter, F. Vollrath, (2007). Natural and unnatural silks, Polymer, Volume 48, Issue 12, 4 June 2007, 3388-3392, ISSN 0032-3861, http://dx.doi.org/10.1016/j.polymer.2007.04.019.
Kaeopijit Sarangsee, (2008). Indigenous Knowledge for PakThong chai Silk-cloth Production for Development to be Standard of Community Products. Maha Sarakham University, Faculty of Cultural Sciences.
Leesuwan Viboon, (1999). Sinlapa Hatthakam Phuenban (Folk Handycrafts). Krungthep, Ton-o, ISBN: 9742564353.
Lotkhamwatthana Surachaiphattharadit, (2009). Indigenous Knowledge of Tai Yuan Local Cloth Weaving: Guidelines for Community Business Management in Amphoe Sikhio, Changwat Nakhon Ratchasima. Mahasarakham University, Faculty of Cultural Sciences.
Pisaisawat Suwimon, (2009).The Production and Distribution Thai Handicraft "Mud Mee Khid" : a Case Study Udonthani. Udon Thani, Udon Thani Rajabhat University.
Tangsakul Jirote, (2004). Local Wisdom and Development of Community Economy: A Case Study of Stone Polished Bronzewares, Padittrolakan Community Chatujak District, Bangkok Metropolitan. Chandrakasem Rajabhat University, Faculty of Social Sciences for Development. ISBN: 974-9911-02-4.
Thanawannakig Lukhana, (1997). Preferences on products from Pha Chok of Ratchaburi. Kasetsart University, Office of the University Library.
Tiamsak Potchanee, (1999). Kasetsart University Research and Development Institute, Kasetsart Journal Social Sciences 21(1). ISSN: 0125-8370.
University Silapakorn, (1999). National Survey of Textile Producers. Silpakorn University Printinghouse. ISBN: 1223566189.
Wasantadilok Thiraphong, (2003). The Pattern for Buriram Silk Market Development and it's Product to Electronic Commerce System. Buriram, Rajabhat Institute Buriram. ISBN: 9746921649.
Wisarutwait Warit, (2009). A Guideline for Developing Silver Ornaments from Indigenous Knowledge for Community Economy of Changwat Surin. Mahasarakham University, Faculty of Cultural Sciences.
Yawangpol Nadnapang, (2005). Scenario Planning of Mudmee Silk Industry Amphoe Chonnabot Changwat Khon Kaen. Khon Kaen University, Graduate School. ISBN: 9742847657