Hsaing Waing is a classical music ensemble and a prominent cultural identity of Myanmar. The Hsaing Waing ensemble consists of many instruments such as the Pat Waing, Muang Hsaing, Hne, Chauk Lon Bat, Byaung, Wa, Wallet Kok, Yakin, Si, and Mong. The earliest historical record of the Hsaing Waing is in 1544 where the Pat Waing and possibly the Hsaing Waing, was in royal service at the court of King Tabinshwehti of the Taungoo dynasty and prospered under the Kaunbaun dynasty up to colonial rule. During colonization, Hsaing Waing’s popularity declined but other innovations were introduced such as modern recording mediums and broadcasts which transferred the popularity of Hsaing Waing to a broader public audience and brought innovation to religious music, ceremonial rituals, fusion of western musical instruments such as the piano, violin and mandolin. The wealth of knowledge and numbers of connoisseur during the Kaunbaun dynasty led to the transfer of knowledge to many apprentices which were responsible for the development and adaptation and continuation of Hsaing Waing during colonization, socialism and independence. The transfer of knowledge was carried out by previous generations through apprentices, family members, close relatives and inspired individuals. The factors for the successful inheritance of Hsaing Waing are management, education, musicians and opportunity.
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