This study examines the harmony of semantic fields in selected poems from the Mu'allaq?t to explain how lexical choices and poetic structures cooperate to produce integrated meaning. Pre-Islamic poetry is widely regarded as one of the most authentic linguistic records of early Arabic culture and language, and the Mu‘allaq?t occupy a particularly central place in rhetorical and semantic studies because of their density of imagery and expressive precision (Dayf, 2002; Anis, 1976). Using a descriptive-analytical approach, the study analyses selected poetic passages by relating lexical items to their semantic fields and by examining how these fields function within broader rhetorical and contextual structures. The analysis shows that words associated with ruins, longing, place, pride, beauty, separation, and disappearance do not operate in isolation; rather, they form cohesive semantic networks that reinforce emotional unity and contribute to the poem's artistic coherence. The study concludes that semantic harmony in the Mu‘allaq?t is a key component of poetic unity and aesthetic effect. That semantic-field analysis offers a productive lens for understanding classical Arabic poetry more deeply.
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