International Journal of Academic Research in Business and Social Sciences

search-icon

Acculturation of Islamic Art and Chinese Culture in Tengkera Mosque, Melaka

Open access
Acculturation is the process of acceptance of cultural elements between individuals or groups from other different cultures. A group of communities with a certain culture that are exposed to foreign elements are finally accepted and adapted to their own culture. The example of the acculturation can be found at the Tengkera Mosque located in Melaka. The long process of acculturation illustrates the relationship between the Chinese minority and the Malay community has been firmly established. Chinese people emigrated to Melaka in the 15th century. They brought their customs and culture and this was introduced to the Muslim Malay community. The introducing of the Chinese culture has led to the acceptance of the Muslim community in Melaka. This study aims to identify the background or history of Chinese migration in Melaka. The research was also carried out to study the types of Chinese art and culture that have been mixed as decorations in the Tengkera mosque. The research is qualitative in its form and to solve it, researchers used observation methods to study the types of Chinese art and culture in this mosque. The results of the study found that the Tengkera Mosque shows the influence of Chinese culture in terms of decorative patterns and symbols on the components of the mosque and each of these symbols has its own meaning according to Chinese philosophy.
Budin, A. R. (1978). Sejarah Masjid-masjid dan Madarsah-madrasah di Melaka: Perananya Kepada Masyarakat Melayu Sebelum 1957 (unpublished PhD Thesis) Universiti Malaya
Rochym, A. (1983). Sejarah Arsitektur Islam Sebuah Tinjauan. Angkasa Bandung
Wain, A. (2012). Chinese Muslims and The Conversation of Mallaca To Islam. Vol 51. The University Of Oxford. http://www.ipedr.com
Fauzia, A. (1991). Faith and the State: A History of Islamic Philanthropy in Indonesia. Bill’s Southeast Asia Library
Watson, A. B. (1983). A History of Malaysia. MacMilan
Hua, A. K. (2016). Sungai Melaka sebagai suatu daya tarikan pelancongan baru di Negeri Melaka: Satu ulasan kritis. Geografia Online, Vol. 12. Jilid 1: 108-117 https://www.articjou.com/2016/07/
Cortesao, A. (1994). The Suma Oriental of Tom Pires. Haklyut Society
Awang, A., Dan Hanbali, K. (2016). Perkaitan Akulturasi Budaya dan Hubungan Antara Agama: Kajian Terhadap Komuniti Cina Pra Konversi di Negeri Terengganu, Journal Hadari 8 (1) http://ejournals.ukm.my/jhadhari/issue/view/803
Duarte, B. (1918). The Book of Duarte Barbosa. Terj. Dames, M.L. London: The Haklyut Society
Allan, B. (1996). Notes on Early Mosques of The Malaysian Peninsula. Journal of the Malaysian Branch of the Royal Asiatic Society, 69 Part 2 no. 271.
https://www.jstor.org/stable/41493308
Williams, C. A. S. (1974). Chinese Symbolism and Motifs. Charles E. Tuttle Company
Bingjie, Y. D. (2006). Chinese Architecture: Palace, Gardens, Temples and Dwellings. China Intercontinental Press
Empayar Melaka Tradisi Agung Melaka. (2010). Melaka
Arbi, E. (1971). Pengaruh Senibina Asing di Malaysia. Kongres Kebudayaan Kebangsaan
Arbi, E. (1975). Sejarah Perkembangan Senibina di Malaysia. Kementerian Kebudayaan dan Sukan
May, G. C. (2008). Tembikar Baba dan Nyonya: Corak dan Motif Porselin Famille Rose. Wancana Seni Journal of Arts Discourse, Jil.Vol.7. http://wacanaseni.usm.my/
Hamka. (1980). Sejarah Umat Islam. Pustaka Antara
Hartono, H. S. (2007). Pengaruh Pertukangan Cina Pada Bangunan Mesjid Kuno di Jawa Abad 15-16,” Dimensi Teknik Arsitektur, Vol 35. 35, No. 1. http://fportfolio.petra.ac.id/
Hoyt, S. H. (1996). Old Mallaca. Oxford University Press.
Wekke, I. S. (2013) Islam dan Adat: Tinjauan Akulturasi Budaya dan Agama, Jurnal Analisis, Volume XIII, Number 1. https://media.neliti.com
Rawson, R. (1984). Chinese Ornament: The Lotus and the Dragon. British Museum Publications Limitied
Yeang, K. (1992). Architecture of Malaysia. Pepin Press
Kohl, D. G. (1986). Malaysia’s Architectural Heritage: Identification Appreciation and Preservation” International Conference on Urban Conservation & Planning. https://digital.library.adelaide.edu.au
Kohl, D. G. (1978). Chinese Architecture in the Strait Settlements and Western Malaya, Comparative Asian Study
Yuanzhi, K. (2000). Pelayaran Zheng Hedan Alam Melayu. UKM
Pintado, M. J. (1983). Portuguese Documents on Malacca Vol. 1 (1510-1511). National Achieves of Malaysia
Moorehead, F. J. (1957). A History of Malaya and Her Neighbours. Longman
Trisulowati, R., & Santoso, I. (2008). Pengaruh Religi Terhadap Perkembangan Arsitektur: India, Cina dan Jepang. Graha Ilmu
Stalbergh, R. H. (1983). Chinese Craft. Times Book international Hock and Said, “Ikonografi Motif Pada Komponen ukiran Kayu didalam Tokong Cina”, retrieved 7 April 2021. http//asiaa.geocities.com,isaid04652/Fulltext010.html
Al-Qurtuby, S. (2003). Arus Cina Islam Jawa. Inspeal Ahimsakarya Press TINJAUAN AKULTURASI BUDAYA DAN AGAMA
Purcell, V. (1967). The Chinese in Malaya. Oxford University Press.
In-Text Citation: (Ismail et al., 2022)
To Cite this Article: Ismail, S., Aziz, A., & Ismail, M. S. I. (2022). Acculturation of Islamic Art and Chinese Culture in Tengkera Mosque, Melaka. International Journal of Academic Research in Business and Social Sciences, 12(9), 1478– 1488.